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Expressionism In Hitchcock's Vertigo

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... in Socialist movements. In the discipline of abstract expressionism, artists are able to express themselves, without As with other Hitchcock films such as "Rear Window," "Vertigo" emphasizes the shortcomings of humankind. John "Scottie" themes." He adds: "Most American directors working today have been influenced by Hitchcock. There's no doubt." (Vertigo) Andalou). However, despite the similarities in principles that Abstract Expressionism and Surrealism subsists to, Barnett Newman, http://movies.uip.de/vertigo/synopsis.html Interview with Alfred Hitchcock and Ed McBain http://www.mysterynet.com/hitchcock/mcbain.shtml ...



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Sources list for EXPRESSIONISM IN HITCHCOCK'S VERTIGO:

Gilbert, Francis. Vertigo: The Making of a Hitchcock Classic. New Statesman. Volume: 128. Issue: 4421. January 29, 1999. Page Number: 46+.
David Cooper’s “Bernard Herrmann’s Vertigo”

Hitchcock, Alfred. "Let 'Em Play God." Hollywood Reporter, (1948), October. Reprinted in Sidney Gottlieb, ed. Hitchcock on Hitchcock: Selected Writings and Interviews: 114. (Berkeley: University of California Press, 1995).
Classic Cinema

Weinstein, Joan. "Expressionism in War and Revolution." German Expressionism: Art and Society. Edited by Stephanie Barron and Wolf-Dieter Dube. New York: Rizzoli, 1997. 35-44.
German Expressionism

William Elwood, "Early Manifestations of German Expressionism in New York Productions of American Drama," Expressionism in New York Productions of American Drama," diss., University of Oregon, 1966.
Eugene O'Neill

Brill, Lesley W. "Hitchcock's The Lodger." A Hitchcock Reader. Ed. Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986. 70-74.
Audience in Alfred Hitchcock’s "The Lodger"

 

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